Bernard Frize (b. 1954, France)
Suite Segond N4 F21, 1980

…more to the collection of “misuse” of acrylic residues. My room for the manoeuvre keeps getting smaller and smaller… And here I cannot stop asking myself either – how famous do you need to be to get this accepted as “painting proper”? Or how big a series it must be to convince the audience (or a gallerist?) that you mean this seriously?… But, I’d guess the playfield looked differently in the 80ies… I’m always late to the party…