Hugh Davies (b. 1943, UK)
Quintet, 1968

Performers follow the score, i. a., by searching for feedback not knowing which speaker their mic is connected to.

My interest here is in open-endedness of the emerging experience. There is a score and setup that sets the rules of the game, but how the game plays out cannot be known in advance. And the attempts to follow the rules, receive feedback and adjust are observable, revealing some aspects of sensemaking that I am interested to reveal in my works as well. This may be compared to my scripted participatory situation works like Anticipation Piece described earlier.