Kelm, Krauze & Morel (Poland)
Spatial-Musical Composition, 1968

One of my particular interests in sound art is spatialisation. Here, Kelm, Krauze & Morel present a very different approach to it – as a series of rooms where different sounds are playing and that can be visited in any order at the audience’s discretion. That also reflects my interest in letting the audience to modulate or otherwise make the artwork “their own”.