Haroon Mirza (b. 1977, UK)
Copy of Pavillion for optimisation, 2019

ACCA Melbourne, visited 15/09/2019

Descriptions of the works are so complicated that I do not even know if they are meant seriously, or just as conceptual disguise. But I don’t really care for what he may or may not have meant or pursued with works like this; I just love weird juxtapositions in assemblages where something is happening or responding to other things happening in real time and having a strong sound component to it.

I guess, that’s one of those rare cases where meaning does not have to be articulated in words to appeal to me – I am happy with its physical articulation without any further comments…